How To Create Mid Century Drawing Photoshop
In this tutorial we will demonstrate how to create a medieval landscape using digital painting and photo manipulation techniques. We will begin past sketching out a rough idea of how we want our image to look. Then, we will then add diverse stock images and build upon them until nosotros produce the scene below. Let's get started!
Tutorial Assets
The post-obit assets were used during the product of this tutorial.
- Sky Stock
- Castle Stock
- Rock Texture
- Brushes
Before Y'all Begin
This piece has been done with the help of a graphic tablet, to be precise a Wacom Bamboo Fun. If you're painting with a mouse, the technique is always the same. Only thing that changes is the time yous'll spend on it. In guild to get a expert upshot, think to vary often opacity and flow jitter.
Stride 1 - Sketch on paper
Similar many of my pieces, this has been drawn away from my computer with a blue pen and a piece of newspaper. When I made this, earlier starting drawing, I already had a precise idea of what I wanted. The cave here works like a frame and everything in it it's the actual slice. I wanted to focus the viewer into just a few elements and I wanted it to take a strong impact, which is why I choose as key element the sunday.
Stride 2 - In Photoshop
Start matter I did after scanning the slice and importing it into Photoshop was to create that frame. To do it, you tin can employ different Photoshop tools. You tin use the Brush Tool (B), the Lasso Tool (L), the Pen Tool (P), and probably a couple more than. It doesn't matter which one you're going to use, just effort to create an interesting shape and try to make information technology precise, without having soft edges (in this case, Pen Tool is the most authentic, but information technology's also an difficult tool to manage, if you lot're not confident with it, my advice is to spend time trying to understand how it works, it is really an amazing tool one time you get how it works. Hundreds of tutorial has been written about how to principal information technology. Learn the shortcuts, they'll save you a lot of fourth dimension. It might exist a hurting at get-go, but when you'll know how to use it at his best, yous'll be grateful to have learned something and so useful).
Step three - Choosing a color palette
A thing that I think is very important is choosing a colour palette before you start looking for stocks. This way yous tin go already an idea of what is that you're going to look for. It'due south a way to know which kind of photo do you lot demand (in this case, which kind of sky) and you tin directly look for that. In this example I limited myself into painting with a soft brush a very simple sunset. In this step I besides created, on a dissimilar layer, the ground of the cave using the Lasso Tool, which is the all-time tool when painting to create the sharp shapes of the rocks.
Step 4 - Hills
Ok, Hills! Very simple to make: I divided them into layers. First layer is for the furthest ones, fabricated them only using the hard round brush and a desaturated green.
On the second layer, which is going to exist on peak of the first layer, nosotros will paint a closer hill using once more the same brush, this time with a more orangish green.
Hither I've added the first castle. Information technology's a elementary photo rendered using the Pen Tool.
In order to blend the castle, I created a new layer and a clipping mask with a brown/orange layer set on lighten. This way the darkest colors of the castle will become like the colors in the clipped layer. In this step I also texturized the hills using castor number 5 of the castor set. Grass has many colors and based on the lights and shadows these colors become fifty-fifty more than, and so for giving it a dainty outcome try to use more than a couple of them. Every bit y'all tin can see, other than the greenish, I used different tones of brownish, orangish and yellow.
Just like in the initial sketch, I made these weird castle walls. I did them using the hard round brush (number 1) and the palette knife brush (number 2). This 1 took me a while before figuring out how to do it, but in one case you become it it'south pretty easy to make. To make those straight lines, but press the ALT key while making your castor stroke.
Step five - Castle
Now we get into a slightly harder step. First I painted the big cliff using brushes number 1, 3 and 5. Use 1 and 2 to create the shapes and number five to texturize it. At this indicate I wasn't satisfied of it at all, so in the next steps you'll see that I nearly completely modified information technology (but using the aforementioned technique I explained in this step).
For the Castle I used a not bad photograph downloaded from deviantART and made by =prolific-stock, y'all can find it in the tutorial assets.
Using the Pen Tool (P) (but here equally well y'all tin use dissimilar tools, such as the Eraser Tool (E) and the Polygonal Lasso Tool (Fifty)) I rendered the image, erasing the sky and the foreground of the photograph.
Using the Perspective Controls (Edit > Transform > Perspective) I gave to the stock a more suitable perspective that can lucifer the rest of the elements in the piece.
Here I painted another role of the cliff in gild to blend more in the castle.
As said before, I wasn't satisfied virtually this cliff, so I darkened it and using castor number i, 3, iv and 5 I added more than details.
In this step I just added some orangish on the border of the castle using a clipping mask and I painted on the left some dark lines with brush number iii for blending more than the castle.
Pace 6 - Heaven
Searching on sxc.hu I found this very nice picture of a sunset. As y'all can see there is some tree foliage and the photograph does not completely fill the slice. A quick and easy solution is to use the brush tool and a soft circular brush (it'south a great castor for this kind of skies) and using the Eye Dropper Tool (I) to select the same colors of the heaven. You can download a deject brush also and utilize that 1 instead, information technology's not important. As always, what matters is the effect. Also, if you're using a more complex sky stock, effort use the Clone Tool (South), with some practise you tin can get great results.
Step seven - Cave
This is the step that is going to take yous about of the time because yous need to understand how to create book in the cave, but once you practise sympathise it, and yous understand the technique used, yous'll do it in a few minutes.
Before painting on it, I downloaded a rock texture from CGTextures, I imported it into Photoshop, darkened it and clipped into the cavern layer. Try to be as ordered as possible with layers, create groups and rename your layers, this way you tin can hands move through your PSD, create clipping masks and avoid any sort of annoying problems.
Using brushes number iii, iv and 6 (by and large six) and a calorie-free gray I painted on the borders of the cave the highlights of the rocks.
Take your time while painting. Trying to get a good issue may take you a while. Spend fourth dimension trying to alternating those brushes, too use the eraser tool with number 6, this way you tin become better texturing.
Footstep 8 - Cavern's Basis
Allow's become back at stride number iii, when we created that layer for the ground. I created a clipping mask and I filled the layer with some basis. Using the Lasso Tool (L) I created the shapes of the puddles and I filled them using a lighter dark-brown. Using a big difficult round brush I painted the reflections of the ground into the water.
From CGTextures I downloaded some other stone texture and using the perspective controls I manipulated the image in order to become the same perspective of our painted ground. I clipped this layer into the basis layer and ready information technology to Overlay.
Using castor number 5 I painted some highlights and shadows on the footing in order to make information technology expect more realistic.
Stride eight - Stalactites
Our piece is completed, just equally I always do, I similar to add small particulars to the piece that can make it more than interesting. This time I cull to paint some stalactites. I did it using the exact same technique of the cavern, so New Layer > pigment stalactites shapes > New Layer > Clipping Mask > dark grey and rock brushes (3-4-five-half-dozen).
To add together some more tiny particulars, I painted a couple of h2o drops falling from the stalactites using the hard circular brush (number 1).
Final Image
Did you find this mail service useful?
Source: https://design.tutsplus.com/tutorials/create-a-medieval-landscape-in-photoshop--psd-13805
Posted by: gladneysatond1937.blogspot.com
0 Response to "How To Create Mid Century Drawing Photoshop"
Post a Comment